This post is an excerpt from Tin Pot Valley,
a collection of true stories written by my distant cousin Wilfred
Brown. Wilfred's Grandmother Aurilla is also my Great-Great Aunt.
Horace Greeley Putnam, Aunt Aurilla's husband, was just a youngster on
his grandparents' farm when the circus came to Oakland, Oregon.
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Source: Mail Tribune.com
Posters were plastered about town several days before the circus arrived.
from Ashland Railroad Museum. Ashland Railroad Museum
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Source: Mail Tribune.com
The circus brought exotic people and animals to the Rogue Valley
beginning in the late 1800s. This circus parade made its way down
Medford's Main Street, complete with a cavalry of camels. Southern Oregon Historical Society.
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Tin Pot Valley, Chapter X:
Where The Dandelions Grew
by
Wilfred H. Brown
"Where The Dandelions Grew"
The
Putnam children grew in stature and in strength -- in the knowledge to
be found in books, as well as in the skills needed in making a living
from the soil, and in home-making -- during the years they spent at the
Applegate Ranch.
At 16, Little Charlie was large enough
to be accepted as a volunteer for the Union Army, where two of his
Applegate uncles already were in uniform, in the closing months of the
Civil War. Charlie also saw service during the Indian troubles that
followed, and never returned to live at his father's home at Tin Pot.
Horace
Putnam grew tall for his years, at the Applegate Ranch, a handsome,
brown-haired boy with a tolerant, easy-going nature that was to endure
throughout his life. He was seldom angered, easily amused, and had a
droll twist of mind and speech that also was enduring. At the Applegate
Ranch, where food was always plentiful, Grandmother Cynthia and the
other women-folk took pride in another of Horace Putnam's traits that
would last him through life -- his enjoyment of food, and the amount of
it he could put away. In time, he grew very broad of shoulders and
large around the hips and in girth, as well as in height. And with
strength to match his size.
By
the time he was 12, Horace was tall and strong enough to drive a plow
team, in the tilling of the several hundred acres of once virgin land
Jesse Applegate and his trip had brought under cultivation. And he
turned a furrow good enough to satisfy his perfectionist grandfather --
walking barefoot in the damp, newly-cut notch in the stubble behind the
share and the moldboard -- guiding the horses by twisting his body
against the lines tied tightly around his waist -- lifting the plow's
left handle so that the share would cut exactly as much sod as the
moldboard would turn -- lifting and lowering the right handle to control
the depth of the furrow. Those were skills of a good plowman -- and
the barefoot Horace became one of the best.
Except
that he made frequent stops to rest the always-ready horses, so that he
could take closer looks at things he encountered. Like a flower, and
where it grew -- a snake or a scrambling field mouse turned up by the
plow -- a squirrel, a rabbit or a bird.
And
as he drove plow teams and worked at other outdoor tasks at the
Applegate Ranch, there grew in Horace a lasting love of the soil, and a
feeling that he could managed what needed to be done.
He
was plowing a corn field early in a bright afternoon, on orders from
Jesse, just before he left on a surveying trip. He made it clear that
Horace's job was urgent. He wanted the field plowed and worked down
smooth enough for planting right after the first of May.
An
old formula set the best time for planting at "when the oak leaves are
as big as squirrels' ears." It wasn't always easy to come by a squirrel
for comparison. Some old-timers believed that corn, and all vegetables
grown for above-ground fruits, should be planted in the light of the
moon, while those grown for their roots or tubers should be planted in
the moon's dark phase.
To
Jesse Applegate, such notions were nonsense. For him, May Day was a
good-enough arbitrary time for planting corn, beans, squashes and other
frost-tender crops -- and he wanted the ground ready for planting.
Horace
was making pretty good progress -- even with a few stops to rest the
horses and look for birds' nests a-building, when he saw two small
figures crossing the field toward him, Ed and Pete.
"Guess
what?" said Pete, as Horace stopped the horses. His young uncle could
hardly talk from excitement. "There's a circus in Oakland!"
"We heard if from the stage-driver," said Ed.
Oakland was a town of a few hundred people some 15 miles south.
"Bet they haven't got an elephant they'd let us ride," said Horace.
"No, but they got a lion," said Pete.
"And dogs that ride horses," Ed added.
"And we thought," said Pete, "we'd go down and take a look."
"How?"
"We could ride the horses, and get there before it closed, if we hurried."
"They'd want money to let us in."
"Well, we could see something."
"Gramp would raise Cain," Horace objected.
"He's gone," said Pete. "We'll be back before dark, and he'll never know."
Ed now had some second thought: "Gramp'd really give us a lickin'. He'd skin us alive!"
It was Horace who made the decision with characteristic confidence: "We'll manage it."
It
is said that General Israel Putnam left a plow in mid-field on his
Connecticut farm and rode off to help lead the Army of the Revolution
against the British. Some 90 years later and the breadth of the
continent away, his young cousin several time removed repeated, to a
degree, part of Israel's performance.
Horace
unhooked the tugs from the single-trees, and the horses happy turned
toward the barn, in belief that their day's work was done. Horace drove
them, instead, across the filed and far distant from the house. At the
zigzag rail fence the boys hastily removed the harness, except for the
bridles, dumped it on a fence corner in grass growing taller and ranker
by the hour, and moved rails for the horses to pass through. A minute
or so later, the rails back in place, the horses and boys were on an
unfamiliar route, south toward Oakland. Horace took the lead on one
horse. Ed and Pete followed, riding tandem.
The
plow-horses accustomed to traveling at a fairly leisurely pace now
found themselves switched into a trot, then a gallop, as Horace, Ed and
Pete undertook to beat the sun to Oakland and back. Horse-sweat soon
soaked through the boys' pants, to which adhered horse-hair shed in the
spring moulting, until the young riders appeared clad in chaps like
those worn by cowboys.
The
circus tent was there, sure enough, they found, when they looked down
into Oakland, and surrounded by wagons, hacks, buggies and other rigs,
and tied-up horses. It was pretty small as circus tents go, but it
looked pretty big to the boys from the Applegate Ranch. The sound of
music from inside set their hearts to thumping a little faster as they
clambered off the sweat-drenched plow horses and tied bridle reins to a
tree.
The
tent entrance was barred by a formidable looking man with a mustache, a
cigar and a frown, who sat at a small counter above sign which read:
"ADMISSION $1 -- KIDS 50c". He didn't look like he'd be easy to make
friends with, and the boys didn't try.
They walked around the tent. It
was held up by guy lines to center and corner poles, and anchored to
the ground by stakes that failed to complete a tight fit. In between,
the tent's edges flapped in the afternoon breeze. The boys paused to
listen to the music beside a particularly wide gap, where the tent's
skirt spanned a low place in the field. A that moment a hand from
inside caught the edge of the tent and pulled it higher, and a voice
called in a hoarse whisper: "Hey kids, under here! Quick!"
Inside,
Horace and Ed and Pete found their benefactor was Hank Bender, who
always found time for fishing or hunting or such an affair as a circus
but not much time for working on his claim in the hills near the
Yoncalla Valley. He helped the boys climb up the back of a tier of
rough board seats, and they stared wide-eyed at what they saw.
A
man in tattered clothes and a hat set at a rakish angle, with face
painted a chalky white and red, cranked a barrel organ with one hand.
With one foot he pushed a pedal that thumped against a booming bass
drum, and with the other foot a pedal that changed a pair of cymbals.
And with the other hand he cracked a whip as a scrawny looking pony
trotted around the center pole, with a small mongrel dog riding serenely
on its back.
The
music stopped, and so did the pony. The dog stood on its haunches on
the pony's back, bowed, then jumped to the ground. Everyone applauded
-- Horace and Ed and Pete, perhaps the loudest of all.
"Clever, eh?" said the clown. "And some people in this town think they're pretty clever, too!"
And with that he walked out of the center ring and up the creaking tier of seats -- and right to Horace, Ed and Pete.
"I seen you," he told them. "I seen how you come in, an' you know what that is, that's burglary! I can have you put in jail!"
Horace stumbled over words, trying to say something. Ed started to cry.
"You come with me," the clown ordered. "We're goin' to the manager!"
Hank Bender interrupted: "Now, wait a minute."
"You
keep outa this," the clown told him, "unless you're goin' to pay for
these young criminals. I seen what you done, and I can put you in the
hoosgow, too!"
Hank dropped the subject, and the boys fearfully followed the clown outside.
"They snuck in under the back," he told the man with the cigar, who looked even less friendly than when the boys first saw him.
"Robbers!"
he shouted. "Tryin' to cheat us! We got ways a handlin' peoplelike
you. We can likc y' to a incha your wuthless lives -- or put y' in jail
-- or both." He paused, "Or maybe y'd rather work it out?"
Horace, by this time close to tears himself was quick to answer: "We'll work it out."
"All right. Start with waterin' an' curryin' our horses."
It
was unfamiliar but interesting work for the boys from the Applegate
Ranch. They helped the three men of the circus staff -- the clown now
in work clothes and his face wiped clean, or cleaner -- as they took
down and folded the sections of the tent, looped the guy-lines, tied
poles and stakes in bundles, tore down the seats, and loaded the gear in
three wagons. The three men were even quite genial as they worked with
the boys they recently were threatening with jail. Horace was given
the privilege of cautiously pushing a pan of meat scraps into the cage
of the mangy-looking lion, on a trailer hitched behind one wagon.
As they finished, the manager told the
boys: "You're good workers, but don't never try to cheat show people
again." And he handed each a dime.
It was now getting dark, and it was far into the night when the boys rode the plow horses into the Applegate barn.
Horace still, wondered as they walked up
the path to the lighted kitchen, what kind of story to tell Grandma
Cynthia. The truth, he decided, at the last moment, and her switching
wouldn't be too hard.
Cynthia looked fearfully at the boys
herself, as they entered the kitchen. For seated beside the flickering
lamp, a book open before him, was Grandfather Jesse, back unexpectedly
from his trip. The licking the boys got, after brief inquisition and confession of sin, was one to be remembered.
The next morning another crisis delayed
further plowing of the corn field. The boys couldn't recall just where
they took the horses through the rail fence, or in which zigzag corner
they dumped the harness in the tall, thick grass. They finally found it
the next spring, the leather stiff and rotted by a winter's rains and
snows, and golden dandelions blooming gaily through the hame rings.
And they never forgot -- or really regretted - the trip they made to the circus.
(Pages 74 - 81)
Here are some of the pictures that I took at the Witte Museum in San Antonio, Texas in 2010. There was as special circus display when we were there. Please "CLICK HERE" to read a bit more about the museum.
So, there you are, my friends. If you enjoyed this story, please visit my Sepia Saturday friends by "CLICKING HERE"
to find other neat photos and stories. To read more about my family
and other stories featuring old
photos, memories and more, please look for this picture of me and my dad
on the left-hand sidebar and read whatever else catches your fancy.
Also, there is a list of my Sepia Saturday friends blogs below the
football stuff, if you want to find some more like-minded and wonderful
people. Thanks so much for visiting!
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Oregon Gifts of Comfort and Joy ~ Kathy Matthews |
15 comments:
Wilfred was quite the writer. I really felt part of that day and enjoyed the look into that time period. Thanks for the excerpt.
Thank you, Patti. I just love his stories.
Another wonderfully told story, but it's reinforced my mistrust of clowns I'm afraid.
You so ventured into some of my own neck of the woods...places I've been, and it's funny the Forepaughs circus is something that I kept running into research wise while I was digging up information on the famous Forepaughs family of St. Paul. I just really enjoyed the heads down first photo...such rich colors too! This was just an amazing post, and I have to check out the Witte museum more too! Thanks! Enjoy your weekend!
Love the upside down people. I wonder how they did it?
A wonderful story and great pictures to illustrate it. The circus must have been a real attraction to people (and especially young boys) who lived lives of hard work in relative isolation from entertainment.
I've only ever been to one circus that I can remember. Now I know what I've missed. Walking upside down - that I'd like to have seen.
Another interesting story, which I enjoyed. Thank you for sharing :)
What a fun story. And the photos from the museum are fabulous. Would love to see that exhibit.
Nancy
That card with the human flies creeped me out. But the story was SENSATIONAL! I'm not surprised that the boys were given the opportunity to work off their debt, but to get a dime too was the cherry on top. I bet they didn't even mind the switching.
I enjoyed the story. Tanks!
Another fascinating excerpt from "Tin Pot" - and I agree with everyone else, what wonderful illustrations.
Thanks, everybody! I'll get another one ready soon.
Kathy M.
A most colorful post, and I still hate clowns!! Used to cry when I was them parading here, when I was a kid.
Oh well!!
:)~
HUGZ
Another great post Kathy - enjoyed reading the excerpt from the "Tin Pot". The Witte museum looks like a fun place to visit - great pics. I'm intrigued by the human flies poster - would love to know how they did it.
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